CIFF国际单元
纪录片
《潮涨潮落》（Foreland）
Ruim Kader Films公司制作
2005
73分钟
模拟Beta
内容简介
在下莱茵河分支的岸边是劳渥德，延伸在堤坝之间的一片美丽的水草牧场。水位升高时，河水淹没堤坝吞噬了陆地。一个季节后，交通标志又被竖起，牛群们重新在阳光下尽情吃草。劳渥德又变成了陆地，直到河水再次来袭。
这样的来来往往和季节变换被冷静地观察了七年，没有解说词，只有一双锐利的眼睛洞察着细节。最终呈现出了七个诗意的篇章，我们几乎听不见谁说话而这片风景本身已经被赋予了空间来讲叙它自己的故事。在接近罗马营地的遗迹处，一个旧砖厂被拆除。穿着桔色夹克的男人们在挖铁路隧道。而一只鸟坐在一辆停着的车的镜子上，入迷地凝视着自己在镜子里的倒影。
花了很长时间，但最终还是抵达了劳渥德。但是人类的活动却是一种打扰，好像是对讲述这个美得让人难以呼吸的荷兰景色的故事的一个奇怪的注脚。
SYNOPSIS
On the banks of the Nederrijn
River is Loowaard, a beautiful stretch of water meadow between the dykes. When
water levels rise, the river floods its banks and takes possession of the land.
A season later, traffic signs are straightened and cows graze again contentedly
in the sun. Then Loowaard turns into land again, at least for as long as the river
allows.
The coming and going of the water
and the seasons has been observed for seven years, without any commentary, soberly
styled and with a sharp eye for detail. This resulted in seven poetic chapters
in which we hardly hear anyone speak and the landscape is given the space to tell
its own story. Close to the remains of a Roman encampment, an old brick factory
is demolished. Men in orange jackets digging a railway tunnel. And a wagtail sits
on the mirror of a parked car gazing in fascination at its own reflection.
It took quite a time, but progress
has reached Loowaard. Yet human activity, however intrusive, only seems a strange
footnote in the story of a breathtakingly beautiful and very Dutch landscape.
《罗马克斯-猎歌人-》（LOMAX-the
songhunter）
导演 罗吉尔．卡帕斯
Director Rogier Kappers
93分钟
数字BETA
2005
MM Film Produkties
内容简介
阿伦．罗马克斯(1915-2002)是一个民歌收集者。在他生命的大部分时间里，他带着他的录音设备环游了世界，找寻最美的民歌。罗马克斯收录了在他的麦克风前用心和灵魂歌唱的普通人的声音。在电台节目里，罗马克斯警告我们我们正以飞快的速度废弃着古老的音乐传统。
这部电影的作者在离罗马克斯去世的一年之前访问了他。他已经因脑溢血无法和他说话了。电影制作者于是决定寻找那些罗马克斯录音过的人们。他开着一辆大众汽车穿越欧洲。他的旅程带领他穿越荒凉的苏格兰岛，穿过干涸的西班牙内陆来到与世隔绝的意大利山村。有些时候找回那些人们和音乐很困难。但其他一些时候他也找到了真正的宝藏。那些老农夫，日工，家庭主妇和牧羊人尽他们最大的努力给他唱他们最美丽的歌谣。调查还加入了和罗马克斯的同事们和朋友们的交谈。整部影片，让我们回到虚弱但快乐的86岁的老罗马克斯的每个生活瞬间。在这部热情洋溢的音乐公路片中我们慢慢发现了为什么民歌是这样地动听，并且到底是什么影响了传说中的阿伦．罗马克斯。
SYNOPSIS
ALAN LOMAX(1915-2002)was a song
collector. For a big part of his life, he travelled around the world with his recording
equipment, hunting for the prettiest folk songs. Lomax recorded ordinary people,
who gave their heart and soul in front of his microphone. In radio programmes,
Lomax warned us that we were squandering age-old music traditions at rapid speed.
The film maker visits Lomax one
year prior to his death. He cannot speak with his anymore, because Anlan has been
brought down by a brain haemorrhage. The film maker decideds to search for pelple
Lomax recorded. He travels through Europe in an old Volkswagen. His journey leads
him past desolate Scottish Islands, through the withered interior of Spain and
to isolated Italian mountain villages. Sometimes it’s hard to find back people
or music. On other moments he discovers true gems. Old farmers, day labourers,
housewivers and shepherds do the best they can to sing their prettiest song. The
search is combined with conversations with colleague s and friends of Lomax. Throughout
the movie, every now and then we return to a frail but happy 86-year old Lomax.
In this passionate and musical roadmovie we slowly discover why folk music can
be so pretty and what could have once possessed the legendary Alan Lomux.
《月影》（Shape
of the Moon）
2002-2004/ Color /92
min / DV converted to 35mm film
出品机构：斯卡拉比电影公司（SCARABEEFILMS）
PRODUCED BY SCARABEEFILMS
数字Beta
内容简介
本片为2004阿姆斯特丹国际纪录片电影节开幕电影，尤里斯．伊文思奖，2005年圣丹斯电影节入选作品。
印尼是世界上面积第四的国家，并拥有地球上最大的穆斯林团体。通过莱奥那多．拉提尔．赫尔穆里奇这部最新纪录片展现的当地一个三代同堂家庭的生活境遇，观众们将被带到那个几乎不为人知的美丽地方的中心，去了解那些为了在希望和信任之间建立桥梁而苦苦奋斗着的人们。
若米德佳，一位62岁的寡妇和他的儿子巴克提和13岁的孙女塔丽住在印尼的雅加达。自从苏哈托总统下台之后，她见证了这个国家所经历的那段社会政治混乱的喧嚣时期……
SYNOPSIS
This film is selected
as opening film at IDFA 2004 and for the Joris Ivens competition and selected for
Sundance 2005.
Indonesia is the fourth
biggest nation in the world, and the country with the largest Muslim community
on the globe. In Leonard Retel Helmrich’s latest film, SHAPE OF THE MOON, the audience
is transported to the heart of this almost unknown landscape through the life of
one family of three generations, who are struggling to build a bridge between hope
and faith.
Rumidjah, a 62-year-old
widow, lives in Jakarta, Indonesia with her son Bakti and her 13-year-old granddaughter
Tari. Since the fall of dictator Suharto seven years ago, she has witnessed the
country passing through a tumultuous period of socio-political chaos…
导演：莱奥那多．拉提尔．赫尔穆里奇(LEONARD RETEL HELMRICH)
导演简介及作品年表
SHORT BIOGRAPHY AND
FILMOGRAPHY OF THE DIRECTOR
莱奥那多．拉提尔．赫尔穆里奇1959年出生。1986年结束在荷兰电影学院的学习并导演了了剧情短片《正在溺死的男人》。1990年以故事长片“凤凰传说”正式在电影界出道。凭纪录片《移动的物体》（1991）赢得了众多国际电影节奖项。
最近几年，莱奥那多．拉提尔．赫尔穆里奇通过在世界各地像堪萨斯州、雅加达这样的艺术院校建立工作室来讲授他的“单镜头电影”理论。并在苏哈托担任总统之前，任期中及之后作为老师拍摄了一系列纪录短片。并且凭借他的纪录片“白天的眼睛”一跃成为纪录片领域里的知名导演，频频赢得国际奖项。（参阅以下作品目录）
Leonard
Retel Helmrich was born in 1959. He finished the Netherlands Film Academy in 1986
as a fiction director of the short fiction film called “De Drenkeling” (the drowning
man). He made his debut with the feature film “The Phoenix Mystery”
in 1990. His documentary “Moving Objects” (1991) has won several prizes
at International film festivals.
These last years, Leonard
Retel Helmrich gave workshops to lecture his ‘single-shot cinema’ theory all over
the world, on several Art Academies like Kansas or Jakarta. Next to attending workshops
as a tutor he has shot several short documentaries before, during
and after Suharto stepped down as a president. With his feature
documentary ‘De stand van de zon’ / ‘The eye of the day’, he instantly became famous
in the documentary film world and won many international awards (see short filmography
below).
《月影》(Shape
of the Moon) 2002-2004, 92 min, 编剧/导演/摄影
《来自天堂的班机》(Flight
from heaven) 2003, 50 min, 编剧，摄影
《白天的眼睛》(De
stand van de zon / The eye of the day) 2001, 94
min,编剧/导演/摄影
2001年阿姆斯特丹国际纪录片电影节 第三地方公众奖等,在荷兰、瑞士、南斯拉夫等国际影展获奖。
《印尼良心的躯体》（The
body of Indonesia's conscience）2000, 15 min, 导演/剪辑/编剧
《Als
een vloedlijn》(Als
een vloedlijn)1999,50 min,编剧/导演
《艺术的非布劳克》(Art
Non-Blok)1994-1996,50 min,导演/摄影/剪辑
《Jemand
auf der Treppe》(Jemand
auf der Treppe)1994,50 min,导演、编剧
《移动的物体》(Moving
Objects)1991,50 min,导演、摄影执导
旧金山金门电影节评委会特别奖。
《凤凰传说》(Het
Phoenix Mysterie)1990,93 min,编剧/导演
‘Shape of the Moon’,
2002-2004, 92 min, script/director/camera
‘Flight from heaven’,
2003, 50 min,
director/camera.
‘De stand van de zon
/ The eye of the day’, 2001,
94
min, script/director/camera
Third place
public award IDFA 2001
Special mention
FIPA-Biarritz 2002
Public
award Visions du Reel Nyon 2002
Award
Prix SRG SSR idｅe suisse 2002
Public
Award 7th International Filmfestival Split 2002
Grand
Prix of the Jury Maremma Doc Festival Palmares 2002
Third
place public award Maremma Doc Festival Palmares 2002
Dutch
Emmy Award (Gouden Beeld) Best Documentary 2003
‘The body of Indonesia's
conscience’, 2000, 15 min, director/editing/script
‘Als een vloedlijn’,
1999,50 min,script/director
‘Art Non-Blok’, 1994-1996,50
min, Director/cameraman/editor
‘Jemand auf der Treppe’,
1994,50 min, director and screenplay
‘Moving Objects’ ,1991,50
min,director and director of photography
A
special jury award of the International Golden Gate film festival of San Francisco.
‘Het Phoenix Mysterie’
,1990,93 min, Screenplay/Director
《巴姆镇的声音》（VOICE OF BAM ）
编剧导演：阿里奥娜．范．德．豪斯特
Written and directed
by ALIONA VAN DER HORST
数字BETA
内容简介
自从2003年的地震后，在伊朗南方的巴姆镇只留下了碎石和废墟。不仅仅是碎墙、暴露的厨房、院子，镇上人们的心灵也一样，陷落敞开。摄影机在城镇里漂浮，就像幽灵一样，记录下巴姆镇居民每天的生活事件并记载他们和死去的至亲之间亲密的内心对话。为了做到这样，电影也简单涉及了在伊朗男人和女人之间的关系和这种关系与上帝的联系。总之，“巴姆镇的声音”是一首赞颂这个城镇的人们所具有的顽强不息的生命力的颂歌。这个电影的灵感来源于从城镇的废墟里发现的照片...唯一的地震之前生命的真实纪念。
SYNOPSIS
Ever since the earthquake of December
2003,Bam in Southern Iran is nothing but rubble and ruin. Not only have its walls
crumbled, exposing kitchens and courtyards, the hearts of its people too,appear
to have fallen open.Like a ghost, the camera drifts through the town,recording
the everyday events of Bam’s inhabitants and picking up the intimate，inner conversations
they have with their dear departed. In doing so,the film also touches upon the
relationship between men and women in Iran and their relationship to God. Above
all,‘Voices of Bam’is an ode to the indefatigable life-force embodied by the people
of this town. The film is inspired by photographs that were recovered from the
town’s debris...the only tangible mementoes of life before the earthquake.
剧情片
《格恩西》（Guernsey）
2005/90
min/35mm
播放：数字BETA
线索(Logline)
关于一个女人在发现了同事自杀后重新审视自己生活的故事。
A film about a
woman who takes stock of her life after witnessing a colleague’s suicide
内容简介
安娜是个安静苗条胆小的三十岁女人。她和她家人住在大城市的郊区。安娜和她丈夫塞巴斯蒂安之间的感情平静、稳定。在他们结婚之前他是她姐姐的情人。现在三个人都是好朋友。
安娜是个灌溉专家经常去发展中国家出差。在一次国外旅行中她的一位女同事自杀了。安娜发现她把自己吊死了。
虽然安娜和那个女人关系一般，但是她的死对安娜产生了巨大的影响。看上去没有人想知道她为什么要自杀。安娜第一次意识到你可以保持一无所知即使是对你最亲近的人。当去世的那个女人的丈夫很快找到了新生活，安娜的想法被证实了。就好像那个死去的女人从来没有存在过一样。
在家里安娜没有告诉任何人那个死去女人的事情。她开始观察她的丈夫和家人并自问对于他们来说自己意味着什么。格恩西就是讲叙一个女人突然审视自己的生活并惊讶于她已远离自己最亲的人的故事。
synopsis
Anna is a quiet, slightly
timid woman of thirty. She lives with her family in the suburbs of a major city.
Anna and her husband Sebastiaan have a calm and steady relationship. Before they
got married he was her older sister’s lover. Now all three seem good friends.
Anna
is an irrigation specialist who often travels to developing countries. During one
of her visits abroad a female colleague commits suicide. The woman has hung herself.
Anna finds her.
Even
though Anna wasn’t close with the woman, her death makes a big impact on her. No
one seems to know why she has killed herself. For the first time, Anna realizes
that you can remain unknown even to those you have most dear. When the dead woman's
husband very quickly finds a new wife, Anna's image is confirmed. It is as if the
dead woman never existed.
At
home Anna doesn’t tell anyone about the incident with the dead woman. Instead she
begins to observe her husband and her family and asks herself what she means to
them. Guernsey is the story of a woman who suddenly looks at her own life
and wonders how she became miles apart from the people she is closest to.
导演：纳努克．里奥泊德(Nanouk Leopold)
导演简介及作品年表
SHORT BIOGRAPHY AND
FILMOGRAPHY OF THE DIRECTOR
在执导编剧了几部短片和电视剧《麦克斯
露帕》之后，她开始为电影杂志Skrien做自由撰稿人并为VPRO节目“星团”写评论。《漂浮的岛》（2001）是她首部长篇电影。
纳努克．里奥泊德（1968）在阿姆斯特丹的荷兰电影&电视学院学习导演课程。她的毕业作品《周末》在荷兰电影节和慕尼黑电影节上获奖。
Nanouk Leopold (1968)
studied directing at the Dutch Film & Television Academy in Amsterdam. Her
graduation film Weekend received the Tuschinski Award at the Dutch Film Festival
and the Kodak Prize at the Mｕnchen Film Festival.
Next to writing and
directing several short films and the television drama Max Lupa, she works as a
freelance journalist for the filmmagazine Skrien and as a reviewer for the VPRO
program Stardust. Îles Flottantes (2001) is her feature film debut.
《大战争》(LA
GRANDE GUERRE) 2002, 50 min
《漂浮的岛》(ÎLES
FLOTTANTES) 2000, 85
min
入选2001年鹿特丹IFF虎奖竞赛单元
2001年提名乌得勒支电影评论家奖
2001年乌得勒支城奖
2002年
阿姆斯特丹艺术基金会J.Jordaan奖
参加电影节：鹿特丹，卡罗维发利，佛兰德斯，开罗，卑尔根，基辅，圣保罗影展，釜山，斯德哥尔摩
《麦克斯
露帕》(MAX
LUPA) 1999, 45 min.
《周末》(WEEKEND
) 1998, 27 min
荷兰电影节最佳学生作品奖
慕尼黑电影节柯达奖
‘LA GRANDE GUERRE’,
2002, 50 min
‘ÎLES FLOTTANTES’,
2000, 85 min
Selected
for the Tiger Award Competition IFF Rotterdam 2001
Nominated
Prize of the Film Critics 2001, Utrecht
Prize
City of Utrecht 2001
J.Jordaan
Award from Art Foundation of Amsterdam (2002)
Festivals: Rotterdam
IFF, Karlovy Vary IFF, Flanders IFF, Cairo IFF, Bergen IFF, Kiev IFF, Sao Paulo
Mostra, Pusan IFF, Stockholm IFF
‘MAX LUPA’, 1999, 45
min.
‘WEEKEND’ ,1998, 27
min
Tuschinski Award for best student film Dutch Film Festival Utrecht
Kodak
Award on Munich Film Festival
《漂浮的岛》（Iles flottantes）
2001/85
min/35mm
播放：模拟Beta
内容简介
凯特在三十岁生日后的第二天离开了麦克斯和她的朋友莎思卡搬进了新房子。凯特正面临着麻烦事。她怀孕了但不知道谁是孩子的父亲，是麦克斯还是她另一个朋友伊莎的男友克里斯特芬。虽然莎思卡和伊莎对她的古怪行为产生了怀疑，凯特还是保持沉默并且很快做好了堕胎的准备。当一切明了凯特并没有怀孕时，她向莎思卡坦白了一切并决定回到麦克斯的身边。但是麦克斯并不想和她重归于好。而且莎思卡坚持她要向伊莎交待一切。当凯特不知道她给自己和别人的生活带来的混乱时，莎思卡正在经历自己的悲剧。而伊莎在被克里斯特芬甩了后不得不面对自己，和她的野心。但是尽管莎思卡和伊莎表现出了要面对她们的问题，凯特却仍然为了要找回过去而困惑，挽回麦克斯的徒劳努力使得她得冒着失去最宝贵的东西，她的朋友们。
SYNOPSIS
Kaat leaves Max the
day after her thirtieth birthday and moves in with her friend Sascha. Kaat is in
a dilemma. She is pregnant and does not know who the father is, Max or Christophe,
the boyfriend of her other friend Isa. Though Sascha and Isa are suspicious of
her curious behaviour. Kaat remains silent and quickly arranges an abortion. When
it turns out that Kaat isn’t pregnant after all, she confesses everything to Sascha
and resolves to return to Max. But Max doesn’t want her back and what is more.
Sascha insists that she comes clean with Isa. While Kaat is ignorant of the mess
she has made of her and other people’s lives. Sascha suffers a personal tragedy.
Then Isa is forced to confront herself, and the extent of her ambition, when she
is dumped by Christophe. But whereas Sascha and Isa show signs of confronting their
problems, Kaat remains obsessed with restoring the past, and in her futile efforts
to get Max back she risks losing the most important thing of all, her friends.
导演：纳努克．里奥泊德(Nanouk Leopold)
导演简介及作品年表
SHORT BIOGRAPHY AND
FILMOGRAPHY OF THE DIRECTOR
在执导编剧了几部短片和电视剧《麦克斯
露帕》之后，她开始为电影杂志Skrien做自由撰稿人并为VPRO节目“星团”写评论。《漂浮的岛》（2001）是她首部长篇电影。
纳努克．里奥泊德（1968）在阿姆斯特丹的荷兰电影&电视学院学习导演课程。她的毕业作品《周末》在荷兰电影节和慕尼黑电影节上获奖。
Nanouk Leopold (1968)
studied directing at the Dutch Film & Television Academy in Amsterdam. Her
graduation film Weekend received the Tuschinski Award at the Dutch Film Festival
and the Kodak Prize at the Mｕnchen Film Festival.
Next to writing and
directing several short films and the television drama Max Lupa, she works as a
freelance journalist for the filmmagazine Skrien and as a reviewer for the VPRO
program Stardust. Îles Flottantes (2001) is her feature film debut.
《大战争》(LA
GRANDE GUERRE) 2002, 50 min
《漂浮的岛》(ÎLES
FLOTTANTES) 2000, 85 min
入选2001年鹿特丹IFF虎奖竞赛单元
2001年提名乌得勒支电影评论家奖
2001年乌得勒支城奖
2002年 阿姆斯特丹艺术基金会J.Jordaan奖
参加电影节：鹿特丹，卡罗维发利，佛兰德斯，开罗，卑尔根，基辅，圣保罗影展，釜山，斯德哥尔摩
《麦克斯
露帕》(MAX
LUPA) 1999, 45 min.
《周末》(WEEKEND
) 1998, 27 min
荷兰电影节最佳学生作品奖
慕尼黑电影节柯达奖
‘LA GRANDE GUERRE’,
2002, 50 min
‘ÎLES FLOTTANTES’,
2000, 85 min
Selected
for the Tiger Award Competition IFF Rotterdam 2001
Nominated
Prize of the Film Critics 2001, Utrecht
Prize
City of Utrecht 2001
J.Jordaan
Award from Art Foundation of Amsterdam (2002)
Festivals: Rotterdam
IFF, Karlovy Vary IFF, Flanders IFF, Cairo IFF, Bergen IFF, Kiev IFF, Sao Paulo
Mostra, Pusan IFF, Stockholm IFF
‘MAX LUPA’, 1999, 45
min.
‘WEEKEND’ ,1998, 27
min
Tuschinski Award for best student film Dutch Film Festival Utrecht
Kodak
Award on Munich Film Festival
《北方之光》（Northern Light）
85min /35mm
播放：数字Beta
内容简介
以盛夏的北阿姆斯特丹为背景的关于一对父子的故事。
路西恩经营着一家拳击培训中心，他的生活目标就是培训他的年轻学生。他喜欢说话而且句句言之有物。他出拳很快而且反击也毫不留情。路西恩在北阿姆斯特丹是个很有名的人物。过去发生的一件不幸的事情使他变得固执。他相信他已经失败了，而且他不能面对自己的这个想法。他抑制自己的悲伤，同情只会激怒他。
米切尔，路西恩15岁的儿子，比他父亲要安静得多，而且认为暴露自己易受攻击并不像他父亲烦恼地那样是个多大的问题。
路西恩一直谈论真诚，认为要直视人们的眼睛，要朝前看。这正是他建筑在自己周围的墙。米切尔在庆祝生日的朋友和家人的烤肉聚餐会上用自己的行为对抗了父亲。路西恩失去了控制暴打了米切尔。当完全恢复了理智后，路西恩关闭了他的拳击中心。他说话变得少言寡语，每件他拥有的东西都从他的指缝里溜走了。
同时，米切尔做得越来越好。他以双倍的速度开始自立，不再需要他父亲的支撑。随着面对自己曾做过的事情，路西恩开始向未来跨出第一步，并最终鼓起勇气回到他儿子身边。
synopsis
The story about a father
and son, set against the background of North Amsterdam during a glorious summer.
Lucien runs a boxing
training centre and lives for the training of his young pupils. He talks a lot
and in no uncertain words. He is quick to attack and in fact does not take contradiction
kindly.
Lucien is a well-know
figure in North Amsterdam. A tragic accident in the past has hardened him. He believes
he has failed, and he cannot live with the thought. He suppresses his sorrow; empathy
and compassion only irritate him.
Mitchel, Lucien’s 15years
old son, is much quieter than his father and finds it less of a problem to appear
vulnerable; much to his father’s annoyance.
Lucien always talks
about sincerity, being able to look people straight in the eye, looking ahead.
It is a wall he has built around himself. Mithchel confronts his father with his
behaviour during a barbecue with friends and family on the occasion of a birthday.
Lucien blows his fuses and physically attacks Mitchel. Fully conscious of what
he has done, Lucien withdraws in his boxing centre. He talks less and less, becomes
introverted and everything he possessed slips through his fingers.
In the meantime, Mitchel
is doing ever better.He becomes independent at double speed, and no longer needs
his father’s support. By facing up to what he has done, Lucien takes the first
steps towards the future, and finally even dares to return to his son.
剧本/导演：戴维．莱姆斯(DAVID LAMMERS)
导演简介及作品年表
SHORT BIOGRAPHY AND
FILMOGRAPHY OF THE DIRECTOR
戴维．莱姆斯还在荷兰电影学院学习期间就执导了纪录片和剧情片。
他2001年毕业并以最后考试作品《阿尔夫莱德．曼森的最后一天》获得荷兰电影节小金牛最佳短片奖。这部电影也在2002年嘎纳学生电影竞赛单元中成为亮点。
影节小金牛最佳短片奖。这部电影也在2002年嘎纳学生电影竞赛单元中成为亮点。
随后他执导了几部电视电影，《第一份小吃》和VPRO的单本剧《除夕夜》，契可夫的《在大路上》的电影版。
2005年他凭短片“转向”获得了幼虎奖。《北方之光》是他出道的长篇故事片。
David Lammers directed
documentaries as well as fiction films when still studying at the Dutch Film Academy.
He graduated in 2001
with the final-exam film called ‘De laatste dag van Alfred Maassen’
[The last day of Alfred Maassen], with which he won a Golden Calf for the
best short film at the Netherlands Film Festival. The film also featured in the
student film competition in Cannes 2002.
He subsequently
directed several films for television. First Snacken, then the single
play Oud en Nieuw [New Year’s Eve] for VPRO, and the film version of the
Chekhov play ‘On the High Road’.
In 2005 he won a Tiger
Cub Award for his short film ‘Veere’.
‘Langer Licht’ [Northern
Light] is his feature film debut.
《野蚌》（WILD MUSSELS）
2000/115min/ 35mm
播放：数字Beta
内容简介
《野蚌》是一部具有超现实主义元素的悲喜剧，讲述了在荷兰西南一个不知名的小岛上的三个年轻朋友的生活。
利恩，电影中的主角，是个带有野性身体结实的22岁小伙子，没有稳定的工作。有时他在继父的小造船厂工作。利恩在对自己生长的这片荒凉正被淹没的土地的爱和急迫想离开的念头之间左右徘徊，因为这里对他来说已经不具有任何挑战。他幻想着逃离眼前的现实生活。
利恩和年轻的渔夫但恩都是当地摩托车俱乐部的成员。他们在俱乐部会所里比赛和聚会出游试图逃离他们厌倦的生活。当利恩遇上一个奇怪非凡的爱尔兰人时最终找到了自己的“生活目标”，那个爱尔兰人使他产生了梦想去都柏林生活的念头，‘这世界上最他妈酷的城市’，‘那个能从凯尔特的天使们那里纵情喝酒的地方’。利恩决定去都柏林，但是首先必须克服一些困难。
年轻敏感的杰克波，还在高中学习但也想加入摩托车俱乐部。。。
synopsis
WILD MUSSELS is a tragi-comedy
with surrealist elements, which portrays the life of three young friends on an
island in the more unknown southwest of the Netherlands.
LEEN,the protagonist,is
a wild, burly guy of 22years old, out of a steady job. Occasionally he helps out
on the little shipyard of his old stepfather. LEEN struggles with the dilemma of
loving the overwhelming desolate land of his youth and the desire to leave, because
there’s absolutely no challenge for him. To escape his daily reality LEEN fantasizes.
LEEN and the young
fisherman DAAN are both members of a local motorbike-club. They race and hang out
at the clubhouse trying to chase away their boredom. LEEN finds his “goal in life”
when he meets a weird, remarkable Irishman, who makes him fantasize about a live
in Dubin,”the greatest fuckin’city in the world’,’where one drinks black booze
from the Celtic Angels’. LEEN decides to go to Dubin, but first there are some
obstacles to overcome.
The young sensitive
JACOB, still attending high school wants to join the motor club as well...
编剧/导演：艾力克．德．布努恩(Erik de Bruyn)
导演简介及作品年表
SHORT BIOGRAPHY AND
FILMOGRAPHY OF THE DIRECTOR
艾力克．德．布努恩1962年出生在自兰（在荷兰南方偏远地区，盛产野蚌）。他在乌得勒支学习了社会学并在阿姆斯特丹毕业于电影艺术/通信科学专业。
从1990年起他开始在一些影片和电视系列片中出演角色。作为演员他在1990年即凭借在《如何让破碎的心存活》一片中的表演获得葡萄牙电影节最佳男主角银海豚奖。
除了制作电影以外他还是一位积极的音乐家。《野蚌》是他作为导演的首部剧情长片。其中的几首歌曲则是他自己创作的。
Erik de Bruyn was born
in 1962 and grew up in Zeeland(the remote southern region of
the Netherlands where Wild Mussels is located).He studied sociology in Utrecht
and graduated in Film Arts/Communication Science, Amsterdam.
From 1990 on he acted
in several films and television series.As an actor he was awarded Best Male actor
1990 at the filmfestival of Troia in Portugal(Silver Dophin for his role in How
to survive a broken heart).
Besides filmmaker he
is an active musician.WILD MUSSELS is de Bruyn’s feature film debut as a director.
Several songs in the film are his own compositions.
《春天之歌（德国民谣）》(Spring Song ( Lentelied))
2005, 10 min. 2005年NPS奖提名
《L.O.V.E》(L.O.V.E) 2004,8min.
《野蚌》(WILD MUSSELS)
2000，115min，编剧/导演
2000年小金牛最佳演员和最佳剧本；CJP青年奖；2000年最佳影片；荷兰电影评论家奖：2000年最佳电影；俄罗斯评论家奖：2001年最佳欧洲电影；2001年荷兰艺术基金会新秀奖。
《交叉命运》(CROSS
FATE ) 1999,82min，导演/演员
《摇篮曲》(BERCEUSES
) 1996, 导演/剧本
《休闲室，光滑&干草堆》(THE LOUNGE , and SLICK & RICK) 1995, 创意/导演
《生命中最好的事物》(THE
BEST THING IN LIFE) 1992,合作制片
《如何让破碎的心存活》(HOW TO SURVIVE A BROKEN HEART ) 1990,男主角
‘Short Film: Spring
Song ( Lentelied)’ 2005, nominated for NPS Award 2005, 10 min.
‘L.O.V.E’ 2004,8min.
‘ WILD MUSSELS’2000，115min，direction&scenario
Nominated
for Golden Calf Best Actor and Best Script 2000
CJP
Youth Award; best film 2000
Dutch
Film Critic Award: Best Film 2000
Russian
Film Critic Award: Best European Film 2001
Debut
Award Amsterdam Foundation for the Arts 2001
‘CROSS
FATE ‘ 1999,82min，director&actor
‘BERCEUSES
‘ 1996, direction&scenario
‘THE LOUNGE
and SLICK & RICK’1995,
concept /direction
‘THE BEST
THING IN LIFE’1992, co-producer
‘HOW TO
SURVIVE A BROKEN HEART ’1990,
lead role
法国经典故事片
Pierrot le fou狂人皮埃洛
France, Italie / 法国、意大利,
1968, 112’
Drame / 正剧
– Rｅalisateur / 导演 :
Jean-Luc Godard
Avec / 主要演员 :
Jean-Paul Belmondo, Anna Karina, Dick Sanders…
VF sous-titrｅe en chinois /
法文原版 中文字幕
Ferdinand
Griffon est un jeune pｅre de famille un peu dｅsabusｅ qui vient de perdre son emploi.
Un soir, alors qu’il revient d’une dｅsolante soirｅe mondaine chez ses beaux-parents,
il rｅalise que la baby-sitter venue garder ses enfants, est un ancien flirt, Marianne.
Il dｅcide de tout quitter et de partir avec elle. Et le voilａ embarquｅ dans une
histoire de fou: un cadavre dont il faut se dｅbarrasser, des bandes rivales, un
hold-up. Une sorte de sｅrie noire qui l'entraîne inｅluctablement vers la
mort...
菲尔迪南是一位年轻的父亲，
有点看破红尘又还丢了工作。而他的岳父母却都是上流社会人士。一天晚上，他从岳父母家那令人烦心的聚会上回到自己家，才发现请来照看小孩的女孩玛丽安娜以前就认识。他决定放弃现有的一切和她一同出走，于是开始了一场狂人游戏：一具扔不掉的尸体，黑帮的纠缠，接着又被人绑架。一系列黑色荒诞把他引上了死亡不归路……
Une libertｅ de ton, la grâce
de l’improvisation, un poids et une beautｅ des images sans exemple dans le cinｅma
français.
Pierre Kast. Pariscope, 3 novembre 1955
“当代世界的混乱无序是影片的素材，我们的生活中有许多阴暗面，没有这些阴暗面就没有我们的生活……
戈达尔利用了这些素材，以意外事故和谋杀，创造出美的作品。”
——法国诗人路易斯．阿拉贡
Tous les matins du monde
日出时让悲伤终结
France 法国,
1991, 114 min / 分钟
Drame 正剧
- Rｅalisateur 导演 :
Alain Corneau
Avec 主要演员 :
Jean-Pierre Marielle, Gｅrard Depardieu, Guillaume Depardieu
VF sous-titrｅe en chinois 法文原版
中文字幕
En France, au XVIIe siｅcle.
Marin Marais, compositeur attitrｅ de la cour de Louis XIV, se souvient de celui
qui l'initia ａ l'art de la viole de gambe, le virtuose Monsieur de Sainte-Colombe...
1660. Aprｅs la mort de sa femme, ce dernier se retire prｅs de la vaste demeure
oｕ il vivait avec ses deux filles. Habitｅ par le souvenir de son ｅpouse, il va
jusqu'ａ dｅcliner une invitation du roi pour pouvoir se consacrer exclusivement
ａ la musique.
十七世纪的法国，路易十四享有盛名的宫廷乐师马兰．玛黑回忆他的启蒙老师古低音大提琴大师德．圣．哥伦布的故事……1660年，妻子去世后，哥伦布和两个女儿住在一起。满怀对妻子的怀念，他甚至拒绝了国王的邀请以便能够全部投入音乐创作。
Une
œuvre austｅre et belle, rｅcompensｅe par sept Cｅsars amplement mｅritｅs.
La rｅdaction de Cinｅm'arte
朴实而纯美的作品，获凯撒电影节七项大奖。——《电影艺术》
Jules et Jim
朱尔与吉姆
France / 法国,
1962, 110’
Comｅdie dramatique / 故事片
– Rｅalisateur / 导演 :
François Truffaut
Avec / 主要演员 :
Jeanne Moreau, Oskar Werner, Henri Serre
VF sous-titrｅe en chinois /
法文原版 中文字幕
A Paris, dans les annｅes 1900,
une amitiｅ trｅs forte unit Jules, allemand, et Jim, français. La photo d'une
statue de femme au sourire intrigant les ｅblouit. Ils dｅcident de se rendre en
Grｅce, pour retrouver cette statue. De retour ａ Paris, Jules et Jim font la connaissance
de Catherine, qui a le mｅme sourire que la mystｅrieuse statue. Jules l'ｅpouse.
La guerre 14-18 sｅpare les deux amis. Lorsqu'ils se retrouvent, Catherine se met
ａ aimer Jim.
上个世纪初，巴黎。德国人朱尔和法国人吉姆有着深厚的友谊。一张照片上，一尊露着一丝阴笑的女人雕像让他俩叹为观止。两人决定前往希腊，寻找这尊雕像。回到巴黎后，两人共同结识了有着和神秘雕像同样笑容的凯瑟琳娜。朱尔娶了她。一战的战火将两人分隔开。当他们重逢时，凯瑟琳娜开始爱上了吉姆。
"Si ce film est rｅussi,
il doit ressembler au livre dont il s'inspire et constituer ainsi un hymne ａ l'amour,
peut-ｅtre mｅme un hymne ａ la vie"
François Truffaut
“如果这部电影获得成功，它应该和原著非常贴近，原书不仅是一部爱情的颂歌，也是一部生命的颂歌。”
——弗朗索瓦．特吕弗
法国纪录片
重归温兰街
En remontant la rue Vilin
France / 法国，
1992, 50’/分钟
Documentaire
/纪录片-
Rｅalisateur / 导演
: Robert Bober
VF sous-titrｅe
en chinois / 法文原版
中文字幕
本片通过大量照片复原了巴黎第20区一条已经消失的名为温兰的街道。温兰街命名于1863年，一百多年后变得肮脏不堪，拍摄本片时被完全拆除。法国犹太作家乔治．佩雷克（Georges
Pｅrec）就出生在这条街道的24号，并在这里度过了生命中最初的6年。
Sur le flanc de Mｅnilmontant, ａ Paris, la rue Vilin
ｅtait l’un des lieux chers ａ l’ｅcrivain Georges Pｅrec. Le 4 mars 1982, le lendemain
mｅme de la mort de Pｅrec, la pioche des dｅmolisseurs achevait de la rayer de la
carte, abattant notamment la maison oｕ l’ｅcrivain avait passｅ les six premiｅres
annｅes de sa vie et oｕ sa mｅre, dｅportｅe ａ Auschwitz en 1942, tenait un salon de
coiffure.
Le Cauchemar de Darwin
达尔文的噩梦
France / 法国,
2005, 107’
Documentaire / 纪录片
– Rｅalisateur / 导演 :
Hubert Sauper
VF sous-titrｅe en chinois /
法文原版 中文字幕
Les rives du plus grand lac
tropical du monde, considｅrｅ comme le berceau de l'humanitｅ, sont aujourd'hui le
thｅâtre du pire cauchemar de la mondialisation. En Tanzanie, dans les annｅes
60, la Perche du Nil, un prｅdateur vorace, fut introduite dans le lac Victoria
ａ titre d'expｅrience scientifique. Depuis, pratiquement toutes les populations
de poissons indigｅnes ont ｅtｅ dｅcimｅes. De cette catastrophe ｅcologique est nｅe
une industrie fructueuse…
坦桑尼亚的维多利亚湖是世界上最大的热带湖，它被誉为人类的摇篮。而如今，这里成为了全球化噩梦的舞台。六十年代，有人以科学实验的名义向湖内引入了食肉的尼罗河鲈鱼。从那以后，湖里原生鱼类几乎全部灭迹。而且，这一生态灾难还促生了一项恐怖的产业……
A travers la scandale de la
perche du Nil, un documentaire effarant sur les rapports Nord-Sud. Le Cauchemar
de Darwin est un superbe documentaire aux allures de polar.
Pierre Murat – Tｅlｅrama
这是一部令人惊愕的纪录片。在揭露尼罗河鲈鱼的丑闻事件同时，更展现了南北世界的关系，而且是按照警匪片的路子进行摄制的。
——皮埃尔．米拉
《电视杂志》
影弟工作室
电影做我大哥很久了
制作中2006-2007:
Youth, by Geng Jun
Sugar, by Xin Ju Bo
Birds Island, by Wu Ru Ping
Long River (documentary), by Huang Wen Hai
Fujian Mirage, by Weng Shou Ming
Crossroads, by Wang Jing
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